Music-Makers and Reformed Theology

Jahdiel N Perez

doi:10.33550/sd.v3i1.31

Penulis

Jahdiel N Perez Mahasiswa Filsafat dan Teologi Kristen, Harvard Divinity School

DOI:

https://doi.org/10.33550/sd.v3i1.31

Abstrak

ABSTRACT:Â If Reformed theology hopes to impact contemporary and future societiesÂ as much as possibleÂ it will have to harness the unique power of music to influence the world beyond the walls of the Church. In this essay, I want to draw attention to the ways in which Christianity, in general, and Reformed theology, in particular, are criticized through music and what we can do to respond. I will introduce an approach to Christian apologetics, which I callÂ sonic-apologeticsÂ that enables our music-makers to defend the faith musically. In the first part of this paper, I will discuss five problems to which sonic-apologetics is an answer. This will anchor the second part of this essay, in which I construct sonic-apologetics from three notions: (1) methodological emphasis on effects, (2) genres of expression, and (3) the distinction between linear and angled apologetic responses. In the final part of this essay, I present two different study cases of sonic-apologetics. Nothing about what I will discuss regarding sonic-apologetics changing existing liturgical norms of Christian churches, especially Reformed ones. It does, however, call for those producing and performing music in these churches to direct their music-making interests and abilities toward the world outside the church walls.Â KEYWORDS:Â reformed theology, music, sonic-apologetics.

Statistik

Data terunduh belum tersedia.

Referensi

John Barber, “Luther and Calvin on Music and Worship,”Reformed Perspectives Magazine (June 25, 2006), http://www.thirdmill.org/newfiles/joh_barber/PT.joh_barber.Luther.Calvin.Music.Worship.pdf (accessed March 3, 2016).

Alister E. McGrath, "The Sources of Theology," Christian Theology: An Introduction, 5th ed. (Chichester, West Sussex, U.K.: Wiley-Blackwell, 2011).

Don E. Saliers, Worship As Theology: Foretaste Of Glory Divine (Nashville: Abingdon Press, 1994).

P. H. Scott, The Saltoun Papers: Reflections on Andrew Fletcher (Edinburgh: Saltire Society, 2003).

John Blacking, How Musical Is Man? (Seattle: University of Washington Press, 1973).

Walter Mignolo, Theory, Culture & Society 26 no. 7-8 (SAGE, Los Angeles, London, New Delhi, and Singapore, 2009).

C. S. Lewis, The Screwtape Letters: With, Screwtape Proposes a Toast (San Francisco: HarperSanFrancisco (1942), 2001).

Paul Ricoeur, “Philosophy and Religious Language” [1974] in Figuring the Sacred: Religion, Narrative, and Imagination, edited by Mark I. Wallace, translated by David Pellauer (Minneapolis: Fortress Press, 1995).

Christopher Hitchens, “Revelation: The Nightmare of the ‘Old’ Testament” in God Is Not Great: How Religion Poisons Everything (New York, NY: Twelve Hackett Book Group, 2007).

Sigmund Freud, Civilization and Its Discontents, translated by James Strachey (New York: W.W. Norton & Company, 2010).

http://www.charismanews.com/culture/54193-christian-rapper-renounces-his-faith-in-jesus-as-great-falling-away-continues

Karl Marx, “Toward a Critique of Hegel's Philosophy of Right: Introduction” in Selected Writings, edited by Lawrence H. Simon (Indianapolis: Hackett, 1994).

Aldous Huxley, Brave New World (New York, NY: Harper Perennial Modern Classics, 1932).

https://youtu.be/e9dP8IvGUEo.

https://bethelmusic.com/albums/brave-new-world/

Friedrich Wilhelm Nietzsche, “Book 3, Section 125” in The Gay Science: With a Prelude in Rhymes and an Appendix of Songs, translated by Walter Arnold Kaufmann (New York: Vintage Books [1882], 1974).

Friedrich Wilhelm Nietzsche, “Zarathustra's Prologue” in Thus Spoke Zarathustra, translated by Clancy Martin (New York: Barnes & Noble Classics), 9.